Sus Bully teams up with producer Abstract Soundz to deliver this dope Lo-fi summer vibe with ‘Escape’. Video directed by Lewi London. Download the track here…
He recently followed it up with another visual directed by Lewi London for the track ‘Do You’. This song attempts to rekindle the individuality lost amongst rappers across Hip Hop. With a Lo-Fi instrumental produced by Ftrsndmtrx member Blackeys.
UK production and DJ team Slipmat Brothers aka Jazz Spastiks & NYC emcees PENPALS drop a visual for the track ‘Smooth’. Check the video as the hard boiled criminals PENPALS get up to some mischief in this animated adventure!
‘A Figure of Speech’ is the title track from North London, UK emcee Shay D’s well received debut album bursting full of social commentary, positive messages and honest storytelling.
From the new album Kool Keith – “Feature Magnetic” out on Mello Music Group. ‘Super Hero’ featuring MF DOOM finds two of Hip Hop’s biggest Super Villains uniting over crashing, hypnotic cymbals and driving bass. Enter the twisted comic book world conjured by Keith & DOOM over spliffs in a dank London basement. This is director Kris Merc & animation studio Aardman Nathan Love sonic-vision.
Director by Kris Merc
Animation Studio: Aardman Nathan Love
Executive Producer: Joe Burrascano
CG Director: Eric Cunha
CG Artists: Triston Huang, Jin Fang Jiang
Animator: Thomas Shek
Designer: Kevin Li
Editor: Michael Reuter
Cel Animation: Tyler Dibiasio
Midlands, UK rapper Trademark Blud with a heavy joint titled ‘Terrorist’, produced by Bunker Beats. The track is lifted from Trademark’s dope ‘Tricks of the Trade 2’ which can be downloaded for free here
‘Circles’, produced by Alex Bailey, was released back in September by Middlesbrough based emcee and a favourite of ours here at HHLAT Leddie MC, the single is the third release from her debut EP ‘Home in my Head’.
After building a great following over the years, through countless live shows supporting big names in the UK Hip Hop scene (Devlin, Scroobius Pip vs Dan Le Sac, Skinnyman, Chester P and Lowkey) in the leading North East Hip Hop duo – L&S (Leddie and Smoggy), There has been a lot of anticipation surrounding future releases from Leddie MC and how she is developing and growing as an artist, as opposed to just being an “MC”. Leddie is currently working on her solo album which is produced in its entirety by Burnley MC and Producer, Seek The Northerner.
It’s been nearly 5 years since the critically-acclaimed release Black Feather Messengers, Bedlam Brethren‘s full-length debut. Now Hollow Christ,Cheating Death (a/k/a Merc Versus) and New Zealand’s own dark classic hip hop composer Spearman have returned to deliver another powerful contribution from their ancient form of hip hop. Join them as they bring order out of chaos! Bedlam Brethren have worked with Chief Kamachi, Thirstin Howl the 3rd, C-Rayz Walz, and the late Kevlaar 7, shared stages with Cappadonna and Bronze Nazareth representing the true art form. Instruments of Cruelty is the new album that drops early 2017 and will feature production from Spearman, Endemic Emerald, White Lotus, and Bronze Nazareth, as well as some surprise special guests. Stay tuned in to Bedlam World…Peep the new single “Assassin Art” below!
If we had an office for HHLAT I’m pretty sure that there would have been a bundle to see who got to review Dabbla’s debut solo album ‘Year Of The Monkey’, as we all wanted this banger of an album, another to add to High Focus Records ever growing list of quality releases. However we don’t, so I gave the opportunity to Intuitive who done such a great job with his first review for us last month. Here’s what he thought about Dabbla’s highly anticipated ‘Year Of The Monkey’ album out Friday (9th Sept)……
Nowadays Hip Hop is a very broad genre, but I’ve always felt as though rappers can be grouped into two general types.
Four decades of Hip Hop emcees from all corners of the globe, from the worst bad-breath sideman spitting 16s in your ear on a Sunday night in suburbia to the absolute pinnacle of underground talent, pushing the limits of what we thought possible in music, can be differentiated as belonging to one of two classifications. Two types. Those heads you’d prefer to hear smash out a set live on a messy night, or the ones you listen to whilst you smoke a zoot to recover the morning after.
Dabbla is definitely the first type.
Bouncing and skipping over beats that thump with that trademarked High Focus sound, he oozes personality, charisma and narcissism in a perfect combination. This is his debut album and in classic Dabbla style, every track is a statement. Subject matter is strictly limited to a witty blend of bars, bitches, booze and buds in a way that is actually fresh and enjoyable. Any new listeners should not be deceived into thinking that Dabbla is some next guy fresh onto the scene, however – he uses descriptive wordplay and multisyllabics with the experienced ease of a rapper that is ten years deep in the scene, having sharpened his skills over his years in groups such as London Zoo, the well-respected Problem Child and Dead Players.
As with any High Focus release, ‘Year Of The Monkey’ comes with a string of brilliant features and production attached. I have been a long-time believer in the fantastic production that High Focus get for their artists being a major factor in the label’s distinct sound and long-term success, and this theory is collated by this album. Names such as Star.One, Naïve, Don Piper, Tom Caruana, Sumgii, Chemo, Roast Beatz and DJ Kermit all bring fucking ace beats to the table, and many of these names are recognisable from other HF releases.
Long-time allies of Dabbla such as Jam Baxter and Ghosttown make expected appearances as well, but we also have brilliant additions from talents like Ocean Wisdom, Dirty Dike, Dubbledge, Graziella and Cobes. This is a 17-track album and despite having a roster of musical talent to compete with, Dabbla not only matches pace on every collaboration track but with every one of the 12 solo tunes being just as good, also proves to any listener that he does not need any help to make a banger.
One of my favourite tracks from the album is ‘Cheers’, produced by Ghosttown – to me it really sums up what Dabbla is about. The beat is fucking DIRTY, one of them really greasy smooth screwfacers, and Dabbla flows over it like water. A perfect track to chug a bottle of vodka to, or kill a bear, or something. I listened to this album in the gym and I put on three stone of solid muscle just from listening to this song once. I’ve got a name for Dabbla – the doubletime Dirty Dike. I’m also copywriting that if it takes off. He seems most comfortable on fast-paced tracks, and he utilises this on the majority of tracks on ‘Year Of The Monkey’. This doesn’t mean he’s not great at a slower BPM however, and shows this on tracks like ‘Psychoville’ and ‘Everything’. ‘Psychoville’ is a really snappy tune, with a great hook from Graziella that makes me wish Dabbla did more hooks with female singers.
Dabbla – Psychoville Feat. Graziella (Prod. Roast Beatz) (OFFICIAL VIDEO by Obese Aesthetics)
‘Everything’ is another great boombap track that encapsulates Dabbla’s arrogant attitude – “you might not like me, but I fucking love me”. Songs like this prove that he’s not just a party rapper, but a Hip Hop head.
There is a definite difference. Another facet of his personality, aside from the badman bars and his affair with himself – is a distinct element of a love of the ridiculous – the rude side of rap. I think heads like Dabbla, Dirty Dike and Dubbledge are some of the only people who could just about get away with writing tracks about dicks and them still be listenable. Just about.
Like I said before, I think there are two types of rapper, and Dabbla fits very neatly into one of those types. There are pros and cons to this. I absolutely love this album, and I’ve already cleared a space on my shelf and in my playlists for it, but that’s because I love this kind of album – nothing but hard beats, ridiculous concepts, doubletime bars, and all round general get-messy-to music. This album is definitely catered towards a certain demographic – there isn’t a lot of variation in what each individual song provides in comparison to the rest and there is definitely some repetition. But I’ll accept that there is definitely an argument for there not being too much of a good thing within music, and also for that just being a reflection of who Dabbla is as an individual. What is definite is that this release solidifies his presence as one of the best in the underground scene, as a solo artist, and puts him right up alongside all the newest players on High Focus’s roster as some of the best in the UK. Big the fuck up!
Words; Intuitive
Dabbla’s ‘Year Of The Monkey’ is out now on all formats, digitally, on CD and Limited Edition Vinyl from
Back in June Andover, UK duo Broken Poetz dropped this dope open and honest album ‘Soul Searching’ on KBTZ Recordings at a time when the site was inactive. An album that was two years in the making, it was only right that now things are kind of getting back on track here at HHLAT we fully rep the album because we think it’s one you should add to your collection! Here’s what Adam had to say about ‘Soul Searching’…
It’s too easy to get over serious in the the judgy waters of Hip Hop, even more specifically in UK Hip Hop it seems at times. Every so often you need a little reminder that art is to be enjoyed more than it is scrutinised, and that’s exactly what Broken Poetz newest release ‘Soul Searching’ did for me. I listened to it through a bunch of times to think of stuff to write, except I kept just enjoying it and not thinking about why, kept nodding my head instead of thinking of witty ways to heap praise on a deserving release.
For those unfamiliar with Broken Poetz they are D-Know and Mystero, a duo of naturally gifted emcees whose genuine sound and character has found them consistently gain not only more and more support, but produce better and better art. The two of them are such a cohesive act that you get a proper group feeling instead of just two good artists that don’t quite match, the extent of this is so massively important to what makes the Poetz music something you don’t ever want to sleep on.
Both members are individually strong with flows and lyrics that have so much heart and passion that it’s inescapable, strong with presence and relatable content throughout ‘Soul Searching’. They sound at home to a degree that you can’t buy, in an age of a thousand rappers they cut out their own way through the pack and I’d doubt they even give a second thought to anything other than doing their thing. Nothing here sounds forced its all about confidence with Broken Poetz, their overwhelmingly positive vibe and calm nature even has you rocking a grin when they are dealing with negative issues, because they aren’t just moaning or venting but it’s more like their self therapy, it’s more like they are saying ‘yeah it’s trying to get us but we’re all together here’.
‘Soul Searching’ is bolstered with features from CW Jones, Twizzy, Upfront and Cutta Chase the album is a lyrical wonderland that you can’t not enjoy (wahey double negative) set to a musical backdrop of massive vibes and soulful sounds from names like Runone and Molotov, DJ Jabbathakut and Hozay. Hip Hop is meant to be enjoyed and not picked apart and I thank Broken Poetz for their efforts to remind me.
Words; Adam
‘Soul Searching’ is out now and available for digital download here